Not only is classic Film Noir literally shot in sharp contrasts of black and white, one of a Noir’s most vital characteristics is it’s propensity for playing with polarity.  On top of unexcelled Film Noir cinematography, Out of the Past’s visual language and dialogues are very telling. Little truths about character and destination are disclosed … Continue reading The Call of the Siren (Out of the Past, 1947) Part 1